This essay focuses on two short stories, La Carriola and Stefano Giogli, uno e due, from Luigi Pirandello’s collection Novelle per un anno in order to analyze the meticulous elaboration of the fantastic elements and the theme of the double around which they are built. Particular attention will be also paid to similarities and differences between the stories, which will help to throw light upon the role, function and importance of these narrative motifs in Pirandello’s writing.
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Il connubio tra fantastico e doppio nelle novelle di Pirandello
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